from Harlech and London
fotoLibrarian
fotos, follies, fonts, food & other folderols

« The 100 Best Fonts: Serif Oldstyle
The 100 Best Fonts: Serif Didot to Slab Serif »

The 100 Best Fonts: Serif Transitional

Posted Monday, November 14th, 2016 at 13:57

100 Best Fonts

Click to enlarge.

SERIF: TRANSITIONAL
Baskerville: British, designed by John Baskerville, 1750. Nobody ever got fired for using Baskerville. The first transitional serif face.
Bulmer: British, designed by Willliam Martin, 1790. A superb text face based on Baskerville. Amazingly legible.
Century: American, designed by Morris Fuller Benton, 1918. American printers need use no other font — and some never did.
Cochin: French, designed by Charles Malin, Georges Peignot, 1912. Named after engraver Charles-Nicolas Cochin. Lovely italic.
Goudy: American, designed by Frederick W Goudy, 1916. A new tune on an old fiddle.
Perpetua: British, designed by Eric Gill, 1928. Eternally lovely, but perhaps a little too wide and spiky for today’s tastes.
Bernhard Modern: Austrian, designed by Lucien Bernhard, 1937. When you need a little break from conventional letter forms.
Palatino: German, designed by Hermann Zapf, 1950. Gorgeous, and available on every computer. Why bother with Times?
Jante Antiqua: Danish, designed by Poul Søgren, 1993. Refined, classical and barely known.
Georgia: British, designed by Matthew Carter, 1996. A tremendous workhorse. Legible at all resolutions and sizes. The VW of fonts.

Next: Serif: Didot to Slab Serif

Share

This post is filed under Uncategorized. You can follow any responses to this entry through the RSS 2.0 feed. Both comments and pings are currently closed.

One Response to “The 100 Best Fonts: Serif Transitional”

  1. The 100 Best Fonts: Serif Oldstyle | fotoLibrarian Says:
    November 14th, 2016 at 17:43

    […] fotos, follies, fonts, food & other folderols « The Hundred Best Fonts The 100 Best Fonts: Serif Transitional […]


fotoLibrarian is proudly powered by WordPress
Entries (RSS) and Comments (RSS).